No Place Like Home

A show at Auckland Art Gallery Toi o Tamaki explores changing ideas of the meaning of home, and how we relate to it.

No Place Like Home

A show at Auckland Art Gallery Toi o Tamaki explores changing ideas of the meaning of home, and how we relate to it.

On some levels, our relationship with home – or rather, the idea of home – has been challenged radically in the past few years. Through Covid lockdowns, we were compelled to spend more time at home; many have chosen not to return to work full-time, if at all. At the same time, a housing crisis in this country has been exacerbated by supply-chain issues that have caused major increases to the cost of living.

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And while real-estate prices have plunged in the past year – causing many to re-evaluate, again, their relationship with their principal asset – housing affordability is still worse than it was before the pandemic lockdowns of 2020.

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All of that makes fertile ground for Walls to Live Beside, Rooms to Own at the Auckland Art Gallery Toi o Tāmaki, a show featuring 38 works from the Chartwell Collection by artists from Aotearoa, Australia and beyond. It is showing until March 26.

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The Chartwell Collection dates back 50 years to the 1970s – issues of housing have changed over the decades, and so have artists’ responses to them. Back in the 1970s, attitudes to the idea of home were changing as post-war thinking gave way to more modern ideas, but the response was still domestic at its core.

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In the 21st century, the very idea of home is more problematic – more challenged – and that couldn’t be clearer than in two works commissioned for the show, one by Los Angeles-based New Zealand artist Fiona Connor and one by emerging New Zealand artist Tim Wagg.

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In Connor’s Walls #1–#6 and #8, Connor recreates seven interior walls from around Tāmaki Makaurau Auckland and the Waikato, on which hang artworks by Chartwell Trust founder Rob Gardiner. Tim Wagg’s work, meanwhile, is a video portrait of a young real estate agent set against the backdrop of the commercialised landscape of central Auckland.

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Elsewhere, responses are as varied as works using scaffolding and grids to sculptural walls, domestic furniture and home furnishings, and reflections on the psychological characteristics of interior spaces and the outdoors.

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As a whole, the show asks questions about the way we occupy our interior spaces, and the meaning of our relationship with home. β€œWalls to Live Beside, Rooms to Own asks audiences to reflect on the evolving relationship with art and home life,” says curator Natasha Conland, β€œsharpening our attention to the material and social conditions of our housing environment.”


Walls to Live Beside, Rooms to Own
Auckland Art Gallery Toi o Tamaki
Cnr Kitchener and Wellesley Streets
Tāmaki Makaurau Auckland
aucklandartgallery.com

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